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He thinks about me and that makes me very comfortable. 'You should not say this, because it's not you, it's not Lee. As Chan says, "Chris thinks about my character's dialogue too. While Tucker's impromptu dialogue changes could be a daunting challenge for Chan since English is a second language for him, in reality it isn't a problem.
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He's got a lot of charisma and he's always working to make his character and the movie better. He reminds me of Eddie Murphy twenty years ago. "I think because he's such a good actor outside of comedy," says producer Arthur Sarkissian, "Chris can really focus on making things funny. In contrast to Chan's physical improvisation is Tucker's verbal improv, which originated from his experiences in stand-up comedy. Jackie's been giving us all his best fight stuff for this movie. It's a much longer process," he says, "but the results are amazing. I just tell him where the scene starts and ends for the purpose of story telling.
I'm not going to tell Jackie how each kick and punch should be thrown. But here we design it on the day piece by piece.
Typically you would have each fight sequence mapped out and designed and then you shoot a master and pick up the pieces. Jackie's been making movies longer than I've been alive, so I learn so much about the basics of stunt work and action from him. "I work with him just like I would with any action coordinator. "Jackie helps to choreograph a lot of the action," says Brett Ratner. He does things you don't think a human being can do.
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Plus he's an amazing physical comedian, the same way Keaton and Chaplin were. "They show up on time, they know what they're doing and they always put their all into it. "Having Jackie on the film is like having that veteran player on a sports team," says producer Jay Stern. "Ĭhan brings an immeasurable amount of experience to both Rush Hour films, owing to his extensive background in Hong Kong cinema working as an actor, director and stunt coordinator. What are you going to have me do today?' I have a lot of respect for Jackie and I don't want to let him down. "Everyday, I come to the set and say 'Jackie, I can't wait. "I'm excited, man! I'm working with the biggest action star in the world," says Tucker. What the martial arts master and comedic powerhouse continue to share is their love of improvisation. I show him Chinese tradition and he teaches me a lot of American rap songs. He gives me a lot of his own clothes and I give him mine. "I don't like this guy and I don't know why I have to make movies with him," Chan says of Tucker with a smile. "Ĭhan shares the same affection for Tucker. We're like brothers only I'm black and he's Chinese. He tries to keep up with me, but I'm a little bit quicker," Tucker kids. "We're best buddies and we fight just alike. " Jackie Chan and I were born to work together," exclaims Chris Tucker. ' They got together and their on-screen relationship worked remarkably well. " Producer Arthur Sarkissian concurs, saying that "audiences walked away from Rush Hour (1998) saying 'Chris and Jackie are so great as a team. The two of them together is like an explosion in a bottle. " While the director also ascribes the film's success to the 'thriller-like' tone, he believes "the Rush Hour phenomenon, what audiences most responded to, was really about the chemistry between Chris and Jackie. "People were thrilled to see these guys together. "It was really exciting," says director Brett Ratner, who had previously directed Chris Tucker in Money Talks and considered himself a huge fan of Jackie Chan. But what people most vividly responded to was the incredible on-screen relationship between the film's two stars: Jackie Chan, who Time Magazine once called "the world's most beloved movie star" and who was at the time making his return to American films after a nearly 12-year absence, and Chris Tucker, the fast-rising young comic actor who in 1997 had starred in the hit comedy, Money Talks (1997). The film provided a fresh spin on the buddy film genre and captivated audiences with it's high-octane combination of breathless action sequences and outrageous comedy. S in September of 1998, grossing $33 million during it's opening weekend and eventually earning more than $250 million worldwide. Rush Hour (1998) opened with a bang in the U.